was born in Oakland, CA, in 1966, and started playing music six years later. He played bass at church and school and enjoyed his place on-stage at various local hometown events. After high school,
on the Parade tour. Such an experience inspired
went under his birth name of Wiggins
while in Tony! Toni! Tone!
, and was joined by his brother, Dwayne Wiggins
, and cousin Timothy Christian
. Tony! Toni! Tone!
made their debut with "Little Walter" in 1988. Two years later, they were mega-stars thanks to the success of their second album, The Revival
. The ballad "It Never Rains (In Southern California)" and the club-friendly "Feels Good" were major hits and the band eventually sold six million albums. However, Saadiq
left the group at the height of its fame.
A solo career was in the works by the time the mid-'90s rolled around. Two singles for movie soundtracks -- 1995's "Ask of You" from Higher Learning and "Me & You" from Boyz N da Hood
-- were Saadiq
's proper solo introduction, but not exactly satisfying. He was used to being part of a band, so a solo career made him a bit apprehensive. Saadiq
bowed out for some normalcy over the next few years.Lucy Pearl
's next project, where he joined with En Vogue
's Dawn Robinson
and Ali Shaheed Muhammad
of A Tribe Called Quest
for a short-lived super-group. Saadiq
also had his hand in producing material for the likes of Macy Gray
, the Roots
, and D'Angelo
. In 2000, his song "Untitled" won D'Angelo
a Grammy. Inspired by his new "gospedelic" approach, he captured a new sound for himself while recording material between Oakland and Sacramento. The end result was Instant Vintage
, which earned five Grammy nominations in 2003. The blaxploitation era-referencing Ray Ray
and the '60s-flavored The Way I See It
followed, respectively, in 2004 and 2008; the latter was nominated for three Grammys. Stone Rollin' was released in 2011, just after Saadiq
and his band of the same name backed Mick Jagger for a Grammy Awards perfomance of Solomon Burke's "Everybody Needs Somebody to Love." The album maintained Saadiq
's streak of throwback-oriented releases.